Example Curriculum

  Free Intro Lecture with Chels Morgan
Available in days
days after you enroll
  How To Think Like a Choreographer
Available in days
days after you enroll
  Sex Ed with Chels Morgan
Available in days
days after you enroll
  Kissing: Strategies for Rehearsal & Performance with Rachel Flesher _ For Camera, Live Work, and Educational Considerations
Available in days
days after you enroll
  Resources For Kissing Strategies
Available in days
days after you enroll
  Post Lecture Questions for Kissing Strategies
Available in days
days after you enroll
  Intercourse and Outercourse Choreography with Rachel Flesher
Available in days
days after you enroll
  Movement Qualifiers with Zachariah Payne and Rachel Flesher
Available in days
days after you enroll
  Crafting Intimate Scenes for the Camera with Chels Morgan and Jessica Bennett
Available in days
days after you enroll
  Materials for Camera Essentials for the IC
Available in days
days after you enroll
  Coverage Garments, Barriers, Props, & Kit with Jessica Bennett
Available in days
days after you enroll
  Consent in Non-Consent with Chels Morgan and Rachel Flesher
Available in days
days after you enroll
  Choreographing Kink with Chels Morgan
Available in days
days after you enroll
  Kink Resources
Available in days
days after you enroll
  Kink Post Lecture Questions
Available in days
days after you enroll

Choose a Pricing Option

Diversity, Equity, & Inclusion

Every story deserves to be told authentically and well. In order to be actor advocates, we need to know how to be human advocates.

Learning Justice

What is transformative justice? How is it implemented on set and in the rehearsal room?

Who We Are Matters


Storytelling is a human art form, and every human deserves to have spaces, not only open to them, but accessible and inclusive for them.

“Abolition is a vision of a restructured society in a world where we have everything we need: food, shelter, education, health, art, beauty, clean water, and more. Safety is a community responsibility.”

- Mariame Kaba